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ROSA BONHEUR FR. CRASTRE In 1821, a young painter of brilliant promise was living in Bordeaux. His name was Raymond Bonheur. But the fairies who presided at his birth omitted to endow him with riches, in addition to talent. The hardships of existence compelled him to relinquish his dreams of glory and to pursue the irksome task of earning his daily bread. The artist became a drawing master and went the rounds of private lessons.
Among his pupils he made the acquaintance of a young girl, Mlle. Sophie Marquis, as penniless as himself, but attractive and gentle, full of courage, and displaying exceptional ability in music. A similarity of tastes and opinions drew these two artistic natures toward each other. They fell in love, and the marriage service united their destinies.
The young couple started upon married life with no other fortune than their mutual attachment and equal courage. He continued to teach drawing and she gave lessons in music. But before long she was forced to put an end to these lessons in order to devote herself to new duties. Indeed, it was less than a year after their marriage, namely on the 16th of March, 1822, that a little girl was born into the world: this little girl was Rosalie Bonheur, Continue reading
ROSA BONHEUR FR. CRASTRE
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TITIAN S. L. BENSUSAN TITIAN VECELLI, undeniably the greatest Venetian painter of the Renaissance, leaps into the full light of the movement. To be sure he appears full grown, as Venus is said to have done when she appeared above the foam in the waters of Cythera, or Pallas Athene when shesprang from the brain of Zeus, but happily he was destined to live to a great age.
We have few and scanty records to tell of the very early days. So wide was his circle of patrons in after life, so intimate his acquaintance with the leading men of his generation, that it is not difficult to find out what manner of man he was without the aid of his pictures, even though they have a very definite story to tell the painstaking student.
There are well over one hundred important works, dealing with the life and art of Titian, written by enthusiasts in half-a-dozen languages, for of all the artists of the Renaissance he makes perhaps the most direct appeal to the man moyen sensuel. Continue reading
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WOMEN IN THE FINE ARTS FROM THE 7th C. BC-20th AD In studying the subject of this book I have found the names of more than a thousand women whose attainments in the Fine Arts in various countries and at different periods of time before the middle of the nineteenth century entitle them to honorable mention as artists, and I doubt not that an exhaustive search would largely increase this number. The stories of many of these women have been written with more or less detail, while of others we know little more than
their names and the titles of a few of their works; but even our scanty knowledge of them is of value.
Of the army of women artists of the last century it is not yet possible to speak with judgment and justice, although many have executed works of which all women may be proud.
We have some knowledge of women artists in ancient days. Few stories of that time are soauthentic as that of Kora, who made the design for the first bas-relief, in the city of Sicyonia, in the seventh century B. C. We have the names of other Greek women artists of the centuries immediately preceding and following the Christian era, but we know little of their lives and works. Continue reading
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ART OF HAIR WORK MARK CAMPBELL The necessity for a comprehensive work, giving a full and detailed explanation of the Art of manufacturing HairWork in all its various branches, has been so frequently urged upon the attention of the author, that, incompliance with an almost universal demand, he has concluded to publish a book which will clearly illustratethe Art of Hair Dressing, and making Hair Jewelry and Hair Work of every description
His perfect familiarity with the business the result of many years' successful experience renders him eminently competent toimpart the fullest information upon the subject of which he treats, while the great consumption and rapidly increasing demand for every description of Hair Goods, will make this work he now presents to the public, oneof particular interest to all classes.
Heretofore the Art of making these goods has been zealously guarded by afew dealers, who have accumulated fortunes, and would still retain it a profound secret but for the publication of this book. This is the only descriptive volume ever published on Hair Work. It is an elaborate, carefully prepared book, containing over one thousand drawings, devices and diagrams, engraved at great expense to the publisher, Continue reading
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